There's perhaps nothing very unusual or exotic
about
brightly colored toys, streamers, party decorations
and
the like. Most of us have known them since we were
children.
Some of them, like the paper or plastic
wind-
mills
on sticks which flew round gaily as we ran along
with
them, we even learned how to make in school in our
pre-teen
years. Others, such as those beautifully colored
honeycombed
paper spheres three inches in diameter
which
sometimes hung on Christmas trees or brightened
up
the house at New Year, may have puzzled us a bit as to
how
they were made; but we probably didn't give them a
second
thought. As for piggy banks — well, they usually
were
shaped like a pig and encouraged us to save our
pocket
money, and that was that.
Indeed, these things are an accepted part of life
everywhere;
and in industrialized countries they are
mass-produced
in factories which probably also make
fireworks,
balloons and other toys.
Thailand makes them too — but with two rather
subtle
differences. Firstly, the Thais' natural love of
brilliant
color combinations and strong sense of decora-
tion
makes them perhaps just a little bit more skilled and
imaginative
in designing these toys; but more impor-
tantly,
making them is a viable cottage industry or family
business,
though admittedly on a small scale and getting
smaller.
In the Bangkok area there used to be about ten
families
making paper toys, while a "guesstimate" now
puts
the number at only five or so, scattered in various
parts
of the city.
In
a typical family making those globe-shaped,
honeycombed
paper lanterns, a team of three — mother,
daughter
and son-in-law — can turn out
200
in a day,
selling
them direct and making a daily profit of around
US$40.
That may not sound much, but then there are
all
the gadgets made by other members of the family as
well.
They make a reasonable living, and are indeed
lucky
to have their inventiveness and manual skill to lift
them
out of the depths of poverty they might otherwise
be
in.
But this particular family has had its share of pro-
blems.
Originally they lived in a small community of toy-
makers
along the bridge at Ban Dok Mai, "The
Flower
Village", near
Bangkok's beautiful Golden Mount.
But
fire
destroyed their home, so they moved to another
district,
from which they were in turn forced to move out
when
it became part of a building site . . . Now they live
in
Samlae, a district in
Thonburi across the river.
"See,"
says the head of the family, "That's my son-in-
law
at the glue-press table, my wife and daughter sitting
on
the floor cutting the glued paper and making it into
round
lanterns, my brother over there making aero-
planes
and "jakkajan", his wife putting the
lanterns on
bamboo
sticks and fixing the streamers and paper flowers
on.
Sometimes I dye the lanterns if they're made of white
paper
instead of colored. My daughter still lives in our old
place
and earns a living making 'pong-paeng'
or 'drum'
sticks."
(They are like tiny models of the cloth-dyer's
drum,
with bright pink cellophane instead of buffalo-
hide).
Just how are those honeycombed-paper spheres
made.
It's fairly simple really. Glue is applied in a striped
pattern
onto large rectangular sheets of white or colored
paper,
fifteen inches by twelve, by means of a press con-
sisting
of
42
parallel wooden strips spaced a centimetre
apart,
mounted on a frame with a handle. The glue is
brushed
onto the wooden strips and the frame is then
pressed
down onto the first paper sheet. The second
sheet
is placed on top, and the glue stamped on again,
and
so on until the stack of glued papers reaches a total of
76.
The
sheets of paper thus glued together in stripes are
left
to dry. They are then cut out across the glued lines
into
three-inch crescent shapes like orange slices, opened
out,
and presto! There's your honeycomb lantern.
The 'jakkajan' or cicada in real life is
a shrill-
sounding
insect. The toy-makers produce model 'jakka-
jans'
out of clay and bamboo, tied with cotton to a thin
bamboo
handle. When whirled round they make the
same
shrill, chattering sound as in nature. The toy aero-
planes
make a similar noise when swung round.
Attractively dyed chicken feathers are also used as
decorations,
including silver birds in flight, multicolored
wings
outstretched. The feathers are used in making
dragon
heads out of the glued paper left over from
making
honeycomb ball-lanterns. But this is a time-
consuming
operation, so only a few are made.
The brightly colored plastic fish mobiles seen on sale
in
tourist and souvenir shops are a relic of older times
when
they were also children's toys. Known in Thai as
'pla
tappien', they are still made from dried
and painted
palm
leaves. Some mothers hang one above their baby's
cradle,
and the baby talks to it in the early morning.
One or two households which used to make paper
toys
in Ban Dok Mai near the Golden Mount now
con-
centrate
on fireworks. These, as well as paper toys made
in
other areas, are on sale at the Golden Mount Fair held
every
year in October around the full-moon of the
twelfth
lunar month.
Thai piggy banks are made by the thousands out of
papier-mache
on plaster-of Paris molds. About
25
years
ago
they were often the only colorful toy a child would
own.
Their significance comes from the
12-year
cycle in
which
each year represents a different animal; a child is
given
a piggy bank in the likeness of its birth-year animal.
Today one can still see these gaily-painted piggy banks,
looking
like characters out of Disney land, being sold on
pushcarts
in the streets and lanes of Bangkok. Because of
the
great importance attached to every individuals
birth-year,
this is a thriving business, and likely to remain
so.